Like Wittgenstein, to a certain extent form mirrors content here – rather than proceeding from axioms to conclusions, the performative aspect of language is always central, even though the author proceeds in the ‘best’ analytical tradition, by way of re-slicing conventional categories of language into something else… Below is a tentative summary:Īustin initially dwells on the distinction between constative and performative sentences – between those which express some state of affairs, and those which, in their uttering, perform an action (there may be other classes of sentences too). I echo the sentiment that it is a very enjoyable read, though its disarming style is also deceptive – it is in some ways reminiscent of Borges’ Labyrinths, in that it unfolds a certain argument only to fold it back up again and proceed down a different path. However it is not at all clear that in finally putting together a belated post, an “official” reading will be presented, nor that I will feel “comfortable providing a bit of context” – try though I might. It is true that, as per NP’s suggestion, this post has been several times delayed by travel, tiredness and various other excuses.
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